Pistas do trabalho de Paulo Benedetti como gestor e produtor de cinema em Barbacena-MG no início do século XX / Ways from paulo benedetti's work as manager and cinema producer in Barbacena-Minas Gerais-Brasil at the beginning of the 20th century

O objetivo deste artigo é apresentar pistas do trabalho de gestão e produção de cinema realizado por Paulo Benedetti em Barbacena-MG no início do século XX. Para isso, recorreu-se a análise documental. Conclui-se que Benedetti foi pioneiro na inauguração da primeira casa de projeção fixa de Barbacena e das primeiras filmagens realizadas na cidade; o seu trabalho não foi desenvolvido unicamente de modo autônomo, pois o mesmo filmou também junto a acordos comerciais; houve diversidade de temáticas em seus roteiros, que incluíram, por exemplo, diferentes locais de Barbacena e outros divertimentos da época; a produção dos filmes se deram por motivação própria e também via encomendas.

This article aims to present clues to the work of film management and production carried out by Paulo Benedetti in Barbacena-Minas Gerais-Brasil at the beginning of the 20th century. For this, we resorted to document analysis. It is concluded that Benedetti was a pioneer in the inauguration of the first fixed projection house in Barbacena and the first filming carried out in the city; his work was not developed solely autonomously, as he also filmed together with commercial agreements; there was a diversity of themes in their scripts, which included, for example, different places in Barbacena and other entertainments of the time; the production of the films took place by their motivation and also via commissions.

How narrative transportation in movies affects audiences' positive word-of-mouth: The mediating role of emotion.

On the basis of the cognitive-affective-behavioral model, this study investigated the effects of narrative transportation in movies on audience emotion and positive word-of-mouth (PWOM). To the best of the authors' knowledge, this is the first study to explore the effects of the multidimensionality of narrative transportation on the multidimensionality of emotion. In this study, narrative transportation was divided into dimensions of empathy, immersion, and belief revision, and emotion was divided into pleasure and arousal. To explore the relationship between narrative transportation, emotions, and PWOM, the participants, comprising individuals with movie watching experience, completed a questionnaire on the movie that had left the deepest impression on them. The responses were analyzed through structural equation modeling. Empathy, immersion, and belief revision were significantly and positively associated with pleasure and arousal, which positively correlated with PWOM. The relationship between empathy or immersion and PWOM was partially mediated by pleasure and arousal, whereas pleasure and arousal fully mediated the association between belief revision and PWOM. Practical suggestions for filmmakers were derived from the present findings.

Functional connectivity patterns predict naturalistic viewing versus rest across development.

Cognitive states, such as rest and task engagement, share an 'intrinsic' functional network organization that is subject to minimal variation over time and yields stable signatures within an individual. Importantly, there are also transient state-specific functional connectivity (FC) patterns that vary across neural states. Here, we examine functional brain organization differences that underlie distinct states in a cross-sectional developmental sample. We compare FC fMRI data acquired during naturalistic viewing (i.e., movie-watching) and resting-state paradigms in a large cohort of 157 children and young adults aged 6-20. Naturalistic paradigms are commonly implemented in pediatric research because they maintain the child's attention and contribute to reduced head motion. It remains unknown, however, to what extent the brain-wide functional network organization is comparable during movie-watching and rest across development. Here, we identify a widespread FC pattern that predicts whether individuals are watching a movie or resting. Specifically, we develop a model for prediction of multilevel neural effects (termed PrimeNet), which can with high reliability distinguish between movie-watching and rest irrespective of age and that generalizes across movies. In turn, we characterize FC patterns in the most predictive functional networks for movie-watching versus rest and show that these patterns can indeed vary as a function of development. Collectively, these effects highlight a 'core' FC pattern that is robustly associated with naturalistic viewing, which also exhibits change across age. These results, focused here on naturalistic viewing, provide a roadmap for quantifying state-specific functional neural organization across development, which may reveal key variation in neurodevelopmental trajectories associated with behavioral phenotypes.

Os desertos de Breaking Bad: sobre as novas séries televisivas e o mal-estar na cultura / Les déserts de Breaking Bad: sur la nouvelle série télévisée et le malaise dans la culture / Los desiertos de Breaking Bad: sobre las nuevas series televisivas y el malestar en la cultura / The deserts of Breaking Bad: on new television series and the malaise in culture

Resumo As séries televisivas têm ocupado cada vez mais espaço na cultura, de forma que seus conteúdos incidem significativamente nas subjetividades. Este estudo aborda as séries dramáticas desta nova era da televisão, iniciada há aproximadamente duas décadas. Atenta-se para certo mal-estar evocado por essas obras, até então incomum na programação televisiva. Toma-se a série Breaking Bad como objeto de análise delimitado e utiliza-se como referencial a pesquisa psicanalítica, que olha para o cinema enquanto linguagem singular. Neste artigo são abordados os resultados obtidos a partir da articulação da série analisada ao conceito freudiano de mal-estar na cultura. Dessas reflexões, destaca-se a dimensão espacial, que é explorada em profusão pela obra audiovisual por meio de recursos formais e que aparece de forma propícia a evocar a questão do mal-estar.

Résumé Les séries télévisées occupent de plus en plus d'espace dans la culture et leurs contenus ont influencés considérablement les subjectivités. Cette étude porte sur les séries dramatiques de cette nouvelle ère de la télévision, qui a débuté il y a environ deux décennies. On souligne le malaise suscité par ces œuvres, jusqu'alors rares dans la programmation télévisuelle. Pour délimiter l'objet de l'analyse, nous prenons l'un d'entre eux - Breaking Bad -, et utilise la recherche psychanalytique, qui considère le cinéma comme une langage singulière, en tant que référence. Cet article traite des résultats obtenus à partir de l'articulation de la série analysé au concept Freudien de malaise dans la culture. De ces réflexions, la dimension spatiale est mise en évidence, exploitée à profusion par l'œuvre à travers des ressources formelles y présent et apparaît de manière propice pour évoquer la question du malaise.

Resumen Las series televisivas vienen ocupando cada vez más espacio en la cultura y sus contenidos inciden de modo significativo en las subjetividades. Este estudio trata las series dramáticas de esta nueva era de la televisión, que se inicia hace aproximadamente dos décadas. Se atenta para cierto malestar evocado por esas obras, hasta entonces inusual en la programación televisiva. Para delimitar el objeto de análisis se toma Breaking Bad; y se utiliza como referencial la investigación psicoanalítica que piensa el cine desde un lenguaje singular. En este artículo se abordan los resultados obtenidos a partir de la articulación al concepto freudiano de malestar en la cultura. De estas reflexiones, se destaca la dimensión espacial, que es explotada en profusión por medio de recursos formales presentes en la obra y que aparece de forma propicia al evocar la cuestión del malestar.

Abstract The role played by television series within culture have become increasingly prominent over the past two decades, with their contents significantly influencing subjectivities. This study addresses dramatic series of this new television era based on the discontents arose from these works - hitherto uncommon in television programming. For that, the show Breaking Bad was analyzed under the psychoanalytic interpretation that approaches the cinema as a singular language, articulating the TV show with the Freudian concept of Malaise in culture. Of these reflections, the audiovisual work intensively exploits the spatial dimension through formal resources, figuring in a way to evoke the issue of malaise.

Tobacco and tobacco branding in films most popular in the UK from 2009 to 2017.

BACKGROUND: Exposure to tobacco content in films is a cause of smoking uptake in young people. In an earlier study, we reported that tobacco content occurred in 70% of UK box office films popular between 1989 and 2008. We now report an analysis of tobacco content in a sample of the top grossing UK box office films between 2009 and 2017, and of population exposure resulting from audience exposure to the 2017 films. METHODS: Occurrence of tobacco intervals (actual tobacco use, implied use, appearance of smoking paraphernalia or branding) was measured by 5 min interval coding in the 15 most commercially successful films in the UK in each year from 2009 to 2017. A nationally representative survey was used to estimate population exposure to the top 15 films from 2017. RESULTS: We coded 3248 intervals from the 135 films. Tobacco content appeared in 245 intervals (8%, 95% CI 7% to 9%) across 56 (41%, 95% CI 33% to 49%) films. Tobacco content occurred in films in all BBFC age ratings, and 36 (64%, 95% CI 51% to 77%) of films containing tobacco imagery were classified as suitable for viewing by people aged under 15 years. Although less prevalent than in our earlier study, there was no evidence of a secular decline in tobacco content during this study period. The top 15 films from 2017 delivered approximately 21.6 (95% CI 21.06-22.14) million tobacco impressions to young people aged 10-18 years in the UK. CONCLUSIONS: Tobacco content continues to appear in UK Box Office films and is widely seen by young people, representing a major driver of smoking uptake.

"You took an Oath!": Engaging Medical Students About the Importance of Oaths and Codes Through Film and Television.

In this paper, we will consider the role of oaths and codes of ethics in undergraduate medical education. Studies of ethics syllabi suggest that ethics educators typically use well-known bioethics texts such as Beauchamp and Childress (Principles of biomedical ethics, 8th ed. Oxford University Press, Oxford, 2019). Yet, many issues that medical students will face (as students and as physicians) are addressed by codes of ethics and oaths. We will first provide a historical survey of oaths and codes and then address how these sources of ethical guidance can be effectively used in ethics education of medical students. Oaths and codes can be engagingly taught using a range of techniques including visual narrative. Excerpts from television and film can be used to highlight challenging ethical dilemmas in a variety of settings, taking the learning from the theoretical to the more applied while offering context.

Illuminating nursing's shadow side through a Jungian analysis of the film Fog in August.

Fog in August is a German film based on Robert Domes' historical novel of the same name. The film provides a fictionalized account of the institutionalization and eventual killing of children and adults labelled as a burden on the State and unworthy of life. On one level, this is a story of good versus evil, where innocent patients are manipulated by callous doctors and nurses. At a deeper level, however, it is possible to read the characters as more complex and such a reading gives an insight into the paradox of how a genocidal policy was able to be systematically implemented by health care professionals who had previously taken an oath to provide care to all people. Carl Jung argued that powerful stories, told across generations, contain mythical archetypes that help drive the plot and convey beliefs about humanity. The aims of this paper are to explore Jungian ideas within Fog in August that help the historical story it is based on resonate with viewers today, and demonstrate how the application of these insights can help health care professionals more fully understand morally distressing events and, as a result, support and improve the safety of patients.

Medical gazes and meteorological metaphors: representations of dementia in contemporary motion pictures.

BACKGROUND: For the last two decades, there has been a surge of major motion pictures dealing with the topic of dementia. This trend reflects and at the same time informs and shapes an increasing public awareness of dementia as an individual ethical and sociopolitical issue. MAIN BODY: This contribution examines from an ethical perspective how contemporary motion pictures deal with the topic of dementia and thus contribute to forming our moral awareness of the phenomenon as such and our ways of dealing with those affected. It focuses on an analysis of the conceptual premises and aesthetic imagery relevant in the cinematographic representation of dementia. As the analysis will show, viewing a film as a film about dementia may presume a medicalizing perspective. Furthermore, cinematographic images and metaphors are powerful devices for articulating thoughts and feelings about the elusive and ultimately ineffable experience of dementia. At the same time, however, they can also have problematic implications. CONCLUSIONS: Given the lack of knowledge and widespread fear, stigmatization and exclusion, health policy can and should use cinematographic approaches in order to enhance public understanding of dementia and empathy with those affected. At the same time, however, public health agencies and educational institutions making use of the persuasive power of film need to pay closer attention to the images and messages constructed, their aesthetic functioning and their ethical implications and social consequences.

Movies in the magnet: Naturalistic paradigms in developmental functional neuroimaging.

The use of movie-watching as an acquisition state for functional connectivity (FC) MRI has recently enabled multiple groups to obtain rich data sets in younger children with both substantial sample sizes and scan durations. Using naturalistic paradigms such as movies has also provided analytic flexibility for these developmental studies that extends beyond conventional resting state approaches. This review highlights the advantages and challenges of using movies for developmental neuroimaging and explores some of the methodological issues involved in designing pediatric studies with movies. Emerging themes from movie-watching studies are discussed, including an emphasis on intersubject correlations, developmental changes in network interactions under complex naturalistic conditions, and dynamic age-related changes in both sensory and higher-order network FC even in narrow age ranges. Converging evidence suggests an enhanced ability to identify brain-behavior correlations in children when using movie-watching data relative to both resting state and conventional tasks. Future directions and cautionary notes highlight the potential and the limitations of using movies to study FC in pediatric populations.

Tobacco advertising, promotion and sponsorship in entertainment media: a phenomenon requiring stronger controls in the Eastern Mediterranean Region.

Tobacco use and placement of tobacco products in television (TV) productions and movies is a way to promote tobacco use while avoiding tobacco advertising bans that exist in most countries. The fact that such productions are broadcast widely and viewed by millions, including children and young people, is of concern. This paper reviews the evidence on the use of tobacco advertising, promotion and sponsorship (TAPS) in TV and films in the Eastern Mediterranean Region and the ways to combat it. Evidence from Egypt shows considerable and increasing use of tobacco products by actors on screen, including female actors, in programmes aired during Ramadan in 2015-2017. A study of Iranian movies in 2015 showed that tobacco scenes in Iranian movies were increasing. In 2014, the WHO Regional Office for the Eastern Mediterranean held a consultative meeting on TAPS in drama. The consultation recommended regulating the tobacco presence in movies and TV through complete implementation of Article 13 of the WHO FCTC, and raising the issue to the WHO FCTC Conference of the Parties. In 2016, the Conference of the Parties called on parties to consider scaling up the implementation of WHO FCTC Article 13 and monitoring the use of TAPS in entertainment media in accordance with national legislation. A comprehensive approach is essential to end the tobacco industry's use of TV productions and movies to promote their products.

On the shoulders of giants. The story behind the 'Pioneers of Nephrology' project.

This editorial introduces a series of interviews with the pioneers of Nephrology. It's a story that speaks by itself, given the thousands of people that are now alive thanks to the remarkable advances in renal replacement therapies such as dialysis, and kidney transplantation but also the many scientific advances in our understanding of the pathophysiology and treatment of kidney diseases worldwide.The interviews that we have selected for this series are, however, not dealing with their achievements, and their success; they try to pass on to future generations the idea of how they were, why they were passionate, what they loved, and, not last, where they found poetry in our profession.At a time in which narrative medicine points out the importance of the different life experiences in understanding diseases, we would invite you to discover a narrative portrait of the men and women who made our discipline what it is now.

Using Hawkeye from the Avengers to communicate on the eye.

Superheroes, such as Iron Man, Captain America, Wonder Woman, Batman, and Hawkeye, have appeared in numerous films, displaying their range of incredible superpowers and abilities. Therefore, it is unsurprising that many people would not only wish to attain these powers, but also to learn about scientific accessibility to these powers. Popular culture characters such as superheroes can provide a unique platform for the communication of difficult scientific concepts. In the classroom, these characters can be used to communicate learning objectives to students in an interesting, fun, and accessible manner by taking advantage of student familiarity with the characters. Hawkeye, a member of the Avengers, is one such superhero who can be utilized by educators. His powers can be attributed in part to his advanced eyesight, which has physiological aspects in common with many birds of prey. Hence, Hawkeye can instigate discussion on the physiology of the human eye, while also allowing for comparison with other species, such as birds of prey, and reflection on advancements related to genetic engineering and wearable technologies. In addition, in my experience, Hawkeye has proven to be a highly suitable popular culture character for use in scientific communication and outreach.

Themes Associated With Top-Grossing Films Released From 2005 to 2015.

Films continue to be a popular form of entertainment among children. The objective of this study was to determine the most common themes found in the top-grossing films released from 2005 to 2015. Forty-five films were independently viewed and analyzed by 5 reviewers. The most common positive themes were "importance of helping others," "working as a team," and "standing up for what you believe in" (5.71, 4.08, and 3.78 mean events per hour, respectively). The most common negative themes were "use of guns/knives/lethal weapons," "acts of violence/fighting," and "demonstrating excessive anger" (5.78, 5.64, and 3.09 mean events per hour, respectively). In conclusion, the most common positive themes in our sample were associated with service, collaboration, and courage, and the most common negative themes were associated with violence. We encourage co-viewing and active mediation, focusing on the positive and negative themes found in film, as a method to guide children through their development process.

Exposure to Alcohol Content in Movies and Initiation of Early Drinking Milestones.

BACKGROUND: Exposure to alcohol content in movies has been shown to be associated with adolescent use of alcohol, including earlier onset. This study examined the influence of movie alcohol exposure on subsequent alcohol onset, considering the social context (whether the movie was viewed with a friend or parent). We examined whether media's influence holds across a spectrum of early drinking milestones: sipping (but not consuming a full drink of) alcohol, consuming a full drink of alcohol, and engaging in heavy episodic drinking (HED). METHODS: Data were taken from a sample of 882 middle school youth (52% female; 24% non-White) enrolled in an ongoing study on alcohol initiation and progression. Exposure to alcohol content in films was measured using a method that combines content analysis and random assignment of movie titles to youth surveys. The hazard of initiating alcohol use (sip, full drink, HED) as a function of exposure was estimated using survival analysis. Associations were adjusted for demographic, personality, and social influence factors known to be associated with both movie exposure and alcohol use. RESULTS: Exposure to alcohol content was common. Hours of exposure prospectively predicted earlier onset of alcohol involvement across all outcomes. Viewing movies with friends appeared to augment the media exposure effect, in contrast to viewing movies with parents, which was not a significant predictor of initiation. CONCLUSIONS: Exposure to alcohol in films is involved in the entry into early stages of alcohol involvement. Findings support further investigation into the role of the media in underage drinking, especially in the context of consuming media with friends and peers. Limiting media exposure and/or stronger Federal Trade Commission oversight of movie ratings should be a priority for preventing underage drinking.

Time trends for tobacco and alcohol use in youth-rated films popular in Mexico and Argentina, from 2004-2012.

OBJECTIVE:: To examine and compare overall prevalence and time trends in tobacco and alcohol portrayals and brand appearances in youth-rated US and nationally-produced films that were the most successful in Argentina and Mexico from 2004-2012. MATERIALS AND METHODS:: Top-grossing nationally produced films from Argentina (n=73), Mexico (n=85) and the US (n=643) were content analyzed. Logistic regression was used to determine differences between Mexican, Argentine and US produced films. Linear regression models assessed significant cross-country differences in the mean number of tobacco and alcohol seconds. RESULTS:: Films from Mexico and Argentina were more likely than US films to contain tobacco, (OR=4.2; p<0.001) and (OR=7.2; p<0.001). Alcohol was present in 93% of Argentine, 83% in Mexican and 83% US films. CONCLUSIONS:: Smoking and alcohol were highly prevalent in nationally produced films. They may have a significant impact and should be targeted by policies to reduce youth exposure to portrayals of risk behaviors.

Time trends for tobacco and alcohol use in youth-rated films popular in Mexico and Argentina, from 2004-2012 / Tendencias en el tiempo del uso de tabaco y alcohol en las películas para adolescentes más populares en México y Argentina: 2004 a 2012

Abstract: Objective: To examine and compare overall prevalence and time trends in tobacco and alcohol portrayals and brand appearances in youth-rated US and nationally-produced films that were the most successful in Argentina and Mexico from 2004-2012. Materials and methods: Top-grossing nationally produced films from Argentina (n=73), Mexico (n=85) and the US (n=643) were content analyzed. Logistic regression was used to determine differences between Mexican, Argentine and US produced films. Linear regression models assessed significant cross-country differences in the mean number of tobacco and alcohol seconds. Results: Films from Mexico and Argentina were more likely than US films to contain tobacco, (OR=4.2; p<0.001) and (OR=7.2; p<0.001). Alcohol was present in 93% of Argentine, 83% in Mexican and 83% US films. Conclusions: Smoking and alcohol were highly prevalent in nationally produced films. They may have a significant impact and should be targeted by policies to reduce youth exposure to portrayals of risk behaviors.

Resumen: Objetivo: Este estudio evalúa la representación en el tiempo de contenidos de tabaco y alcohol en las películas para adolescentes más populares en Argentina y México de 2004 a 2012. Material y métodos: Se analizaron las películas localmente más taquilleras producidas en Argentina (n=73), México (n=85) y EE.UU. (n=643). Se realizaron modelos de regresión logística para determinar diferencias entre películas mexicanas, argentinas y norteamericanas en variables dicotómicas, y de regresión lineal para evaluar las diferencias significativas entre países para variables continuas. Resultados: Las películas mexicanas y argentinas muestran mayor contenido de tabaco en comparación con las norteamericanas (OR=4.2; p<0.000) y (OR=7.2; p<0.000, respectivamente). El alcohol estuvo presente en 93% de películas argentinas, y en 83% tanto de las mexicanas como de las norteamericanas. Conclusión: Los resultados observados muestran tendencias que pueden tener un impacto significativo en la exposición de conductas de riesgo en jóvenes, y por ello son relevantes en la política pública.